Festivalisation of events is a concept widely discussed in the past two years among corporate event professionals. According to a 2017 Skift megatrends report, ‘The festivalization of meetings trend started with the multidisciplinary programming at SXSW and TED, bringing together thought leaders from different sectors to share their views on driving change in a new era of global connectivity.’ South by Southwest (SXSW) in Austin, Texas, has been running since 1987, so certainly the concept is not new, but as we in the events industry love using new terminology every few years, the term ‘festivalisation’ is the new ‘it’ term for innovating in the corporate event space.
After being introduced myself only last year to the concept of ‘festivalisation of events’ at the ITB Berlin MICE Forum, with speakers from three events — Bits & Pretzels, Best of Events and CEBIT (which unfortunately was cancelled after the 2018 edition), I’ve had the chance to attend another event recently which makes a business case for ‘festivalisation.’ The event — KeyFrame — took place in Hamburg from 28 February–3 March 2019 and is a perfect example of how an innovative event format for the right audience and in the right city can be seamlessly executed to provide a fruitful ground for creatively, engagement, learning and networking.